‘We expanded every level of the first film’: Kurtis David Harder on the Influencers Sequel, Coming to Shudder

Beyond Victor’s Lab: 12 Novels That Resurrect Shelleyan Monsters and Their Terrifying Toll in Celebration of Guillermo del Toro’s FRANKENSTEIN

Brand-New Bangers: Noteworthy Nods 2025 – Batch #25

Back in the Booth: Coventry’s The Enemy to Drop First Studio Album in Ten Years — Social Disguises

Children’s Booker Prize Launched to Spark New Generation of Readers as Reading for Pleasure Hits Record Low

‘FRANKENSTEIN’ Review: Guillermo del Toro’s Reverent Gothic Adaptation Delivers a Powerful Lament on Hubris-Fuelled Ambition

Film Review: ‘Shelby Oaks’ – Chris Stuckmann’s Ambitious, Unnerving Found-Footage Hybrid Marks a Confident Directorial Debut

‘Tron: Ares Review’ – A Neon-Charged Colossus, Yet Failing to Connect with the Code That Made the Grid Glow

‘The Smashing Machine’ Movie Review: A Monumental, Uncompromising Portrait of the Price Paid for Glory

‘Bone Lake’ Review: A Savage Tangle of Seduction, Betrayal, and the Brutality of Modern Romance

Anchoring the Terror: Camille Sullivan on Bringing Chris Stuckmann’s Shelby Oaks to Authentic, Anxiety-Inducing Life

“Fandom today borders on the religious — and that’s both beautiful and terrifying”: Joey Batey on debut novel ‘It’s Not a Cult’, creativity, and the cost of being seen

‘Cathedral of the Drowned’ Interview: Nathan Ballingrud on Moon-Spun Nightmares, Centipede Bishops and Lunar Gothic Dread

Author Interview: The Essential Horror of Joe R. Lansdale – Genre-Bending Stories and Timeless Fears

Neil McRobert Interview: Meet the Author Turning Northern Folklore into Haunting, Heartfelt Horror with ‘GOOD BOY’

Brand-New Bangers: Noteworthy Nods 2025 – Batch #25

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

Brand-New Bangers: Noteworthy Nods 2025 – Batch #24

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Album Review: The Clause – ‘Victim of a Casual Thing’: A Bold, Eclectic Debut With an Unshakable Sense of Purpose

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Interview: Duncan Lloyd Unwinds New Album ‘Unwound’ – A Cathartic Rebellion Against Snack Culture

From Wigan to the World: The Lilacs’ Ollie Anglesea Talks New EP ‘The 395 (To Forever)’

INTERVIEW: The ‘KOKO’ Mojo, According to Lottery Winners’ Thom Rylance Prior to Fourth Album Release

Reimagining the ’80s: 10 Movies That Could Shine with a 2020s Twist

Unhinged, Unpolished, Unforgettable: 10 Wild ’70s and ’80s Cult Horror B-Movies Time Refuses to Tame

Rick Moranis and Mel Brooks Reunite as Long-Awaited Spaceballs Sequel Begins Filming

Escape Reality: The Most Thrilling Horror Movies That Will Help You Forget the World’s Woes!

Talk to the Dummy: Lionsgate to Reboot Anthony Hopkins’ Creepy Ventriloquist Classic ‘MAGIC’