Directed by first-time feature director Ben Parker, The Chamber follows three members of a Special Ops team and the pilot of a submersible craft who become trapped underwater during a secret recovery mission. What ensues is equally a battle of wits and determination as it is a classic fight for survival, but The Chamber is never quite as exciting or claustrophobic as its concept would suggest. Nonetheless, as an easy-to-watch thriller, The Chamber delivers enough thrills and edge-of-your-seat action to ensure you make it to its nail-biting end.
The Chamber is only 86 minutes long, but when almost 80 of those are spent in a claustrophobic submersible, you really begin to feel those minutes as they slowly tick by. And it’s not always a good thing. It’s great to feel the same suspense, paranoia and stress as the trapped characters, but it is the characters themselves that will truly begin to grate on your nerves. Edwards AKA Red (Charlotte Salt) who is the leader of the Special Ops team, is particularly aggravating. Her take-no-shit attitude would have been commendable if her accent wasn’t so terrible. You don’t have to know that Salt was born in Newcastle to sniff out her poor attempt at being American, but it sure does help.
Red is the leader of the Special Ops team and spends the majority of the film barking orders or back-chatting poor Mats (Johannes Kuhnke), the pilot. Writing a strong female character in your film is wonderful, but there is a difference between a woman who is strong-willed, smart and courageous and, simply, a bitch. Within the first 10 minutes I was eager for her to die or, at least, be taken down a peg or 20, but no such luck. She’s a woman after all and, of course, no real danger will come to her. Red becomes a character desperately thrown in to appeal to the feminist audience; a beacon for equality that shines no brighter than a flickering candle. Sure, she has a snappy temper, but she’ll need more than that if she is to be the Ripley of this submersible ship.
Aside from the annoyance caused by the film’s sole female character, the rest of The Chamber isn’t too bad. It’s certainly not perfect and there are a lot of moments that drag when we’re left to watch the crew fight like cats and dogs, but when The Chamber is at its best, it’s a gripping and unpredictable ride where the end is never quite certain. When you make it past the dwindling beginning to the ferocious finale you’ll appreciate the shift in pace, thanking the slower opening for shining a light on the film’s most exhilarating moments. The film improves as it goes on as the characters are at their wit’s end, truly struggling to survive as the submersible slowly fills with water after getting damaged. It is then that the tension effortlessly rises as we know it is only a matter of time before they drown. It’s a simple and sure way to ensure suspense, but it’s an effective one.
Parker manages to use the small space exceedingly well by shooting scenes up-close and personal, showing the characters’ confinement in simple shots that barely fit everyone in the frame. It’s a believably tiny space and when coupled with the film’s few heart-racing scenes, it’s impossible not to commend The Chamber‘s execution of top-notch action. Even if they are far and few between. Coupled with one character’s dwindling sanity and a few make-or-break moments, The Chamber‘s final half an hour is its strongest. There’s nothing truly memorable to ensure you’re thinking about this Chamber long after the credits role, but there are a couple of surprises in this solid, well-directed story of survival.
Despite never offering as much excitement as it could have, The Chamber makes ample use of its claustrophobic setting to deliver a short – but not always sweet – thrilling underwater adventure.
The Chamber will be released in cinemas on 10th March 2017, and on DVD, Blu-ray and digital download on 20th March 2017.