Welcome to the very first of (hopefully) many short film showcases here on Cinema Chords, and we’re kick things of in humungous proportions, as we take a look at Dr. Easy. This is a short film from Shynola, primarily a music video company aiming to branch and expand out of that. It was released by Film 4/Warp Films just a few months back, and had us in awe the first time we saw it following the global release on Twitter.
Dr. Easy places us outside a house presumably in London, with the road littered with police demanding a man inside step down. We see numerous personnel, armed to the teeth. A skinny android unfolds from a small port in a van, and begins to move, it’s holographic face glowing with surging blue light. It ascends the stairs and scans its surroundings before reaching the top floor where the subject stands. We see a man, Michael Sawyer, holding a shotgun. He’s bleeding profusely from the mouth and can’t talk due to a police sniper wound, and seems very distressed. Dr. Easy treats him attentively with a local anaesthetic, before realising what Michael’s intention is. We can only helplessly stare at Michael’s fate as it unfolds, as we see a glimpse of humanity in the robot’s cold display.
Obviously the first praise goes to Dr. Easy, and it’s empathetic voice by Geraldine Jones. It seems so robotic and cold at first, with its gangly frame and garish structure, but the voice and motion goes to personify it as human. By the end of the very brief time frame of 9 minutes, you will almost certainly feel empathy for the machine. The pacing of Dr. Easy is timed to a tee, and manages to build such tension and suspense which is almost impossible for such a short film. From climbing the stairs, analysing it’s environment, and pleading for Michael to surrender. Each step it pulse-pounding, building to a shocking crescendo as the short climaxes.
We can’t recommend Dr. Easy enough. I hope you enjoyed watching it, and I certainly look forward to seeing more of what Shynola can do.