Author Interviews
Anyone who’s read Eric LaRocca is well aware of their unique gift for conjuring visceral nightmares with the elegance of a poet. A Bram...
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Cinema Chords
- News
Brand-New Bangers: Noteworthy Nods’ Top Tracks of August 2026
Netflix Orders Six-Part Series Based on Roald Dahl’s Adult Short Stories
Dan Stevens Is Ready to Serve the Public Trust as RoboCop in New Prime Video Series
Sacha Baron Cohen Revives Ali G’s Brand of Misplaced Confidence and Comic Bravado After Two Decades in Official Trailer for Ali G: Who Iz I?
‘INSIDIOUS: OUT OF THE FURTHER’ Filmmaker and Cast Talk Bringing the Franchise into Uncharted Terrors
- Movie/TV Reviews
‘Evil Dead Burn’ Movie Review: A Symphony of Savagery That Overplays Its Hand
‘Toy Story 5’ Movie Review: A Heartfelt Celebration of Imagination in a Digital World
‘Obsession’ Movie Review: The Death of the Meet-Cute and the Dark, Twisted Reality of Controlled Desires
‘HOKUM’ Movie Review: A Meticulously Malignant Psychological Conundrum Served with Caustic Wit
Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology
- Movie/TV/Author Interviews
Eric LaRocca Talks ‘We Turn Gruesome At Night’ and the Fine Line Between Purging Darkness and Feeding It
Josh Malerman on New Novel ‘Pictures of You’: When Admiration Curdles Into Obsession
Author Jo Salazar on IF WE SURVIVE THE NIGHT: Putting Psychology at the Heart of the Zombie Apocalypse
‘The Sunken, The Adored’ Interview: Author Donyae Coles on Bringing Lovecraftian Horror to 19th-Century Venice
A.P. Thayer on New Horror Novel ‘Tapeworm’: What We Suppress Has a Nasty Habit of Crawling Back to the Surface – Fangs First!
- Music Reviews
- Music Interviews
Sydney’s Crocodylus Talk Doubling Down on Garage-Punk Chaos with New Album ‘Limbo, Please Be Good To Me’
Riding a Maximum High: Shed Seven celebrate 30 years with Triumphant ‘Shedcember X’ Winter Tour
Rick McMurray Talks The Transition from ASH to Solo Side Project BURNED AS WITCHES
Tom Clarke Talks Social Disguises: The Enemy’s Comeback Album Made on Their Own Terms
INTERVIEW: Composer Geoff Zanelli on Navigating Tonal Whiplash to Score ‘Good Luck, Have Fun, Don’t Die’
- Features
Dan Stevens Is Ready to Serve the Public Trust as RoboCop in New Prime Video Series
Scared Straight to Serenity: Finding Catharsis Amidst the Chaos of Horror
Escape Reality: The Most Thrilling Horror Movies That Will Help You Forget the World’s Woes!
Reimagining the ’80s: 10 Movies That Could Shine with a 2020s Twist
Zack Snyder to write and direct long-gestating ‘Escape from New York’ remake
- Books
Eric LaRocca Talks ‘We Turn Gruesome At Night’ and the Fine Line Between Purging Darkness and Feeding It
Josh Malerman on New Novel ‘Pictures of You’: When Admiration Curdles Into Obsession
Trapped in a Murderous Time Loop: Rachel Harrison Talks the Twisted, Terrifying Fun of ‘Kiss, Slay, Replay’
Author Jo Salazar on IF WE SURVIVE THE NIGHT: Putting Psychology at the Heart of the Zombie Apocalypse
‘The Sunken, The Adored’ Interview: Author Donyae Coles on Bringing Lovecraftian Horror to 19th-Century Venice
- Author Interviews
Eric LaRocca Talks ‘We Turn Gruesome At Night’ and the Fine Line Between Purging Darkness and Feeding It
Josh Malerman on New Novel ‘Pictures of You’: When Admiration Curdles Into Obsession
Trapped in a Murderous Time Loop: Rachel Harrison Talks the Twisted, Terrifying Fun of ‘Kiss, Slay, Replay’
Author Jo Salazar on IF WE SURVIVE THE NIGHT: Putting Psychology at the Heart of the Zombie Apocalypse
‘The Sunken, The Adored’ Interview: Author Donyae Coles on Bringing Lovecraftian Horror to 19th-Century Venice
- Book Reviews
Eric LaRocca Talks ‘We Turn Gruesome At Night’ and the Fine Line Between Purging Darkness and Feeding It
Josh Malerman on New Novel ‘Pictures of You’: When Admiration Curdles Into Obsession
Trapped in a Murderous Time Loop: Rachel Harrison Talks the Twisted, Terrifying Fun of ‘Kiss, Slay, Replay’
Author Jo Salazar on IF WE SURVIVE THE NIGHT: Putting Psychology at the Heart of the Zombie Apocalypse
‘The Sunken, The Adored’ Interview: Author Donyae Coles on Bringing Lovecraftian Horror to 19th-Century Venice