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‘Touch Me’ Trailer Teases Wacky, Wild Psychosexual Horror-Comedy Homage To Japanese Exploitation Cinema

Wigan’s Stanleys Return Recharged With Their Most Potent Single Yet, ‘Pass The Time’

‘Beast’ Trailer Drops for Russell Crowe-Starring MMA Drama Ahead of April 10 U.S. Release

‘Normal’: First Teaser For Ben Wheatley’s Neo-Western Lands Ahead Of SXSW World Premiere

Peaky Blinders: The Immortal Man Soundtrack Set for March Release via RCA Records UK

‘Sheepdog’ Movie Review: A Stark and Compassionate Look at Life After Service and the Arduous Path To Post-Traumatic Growth

‘Mimics’ Movie Review: A Polished Ventriloquist Horror Rom-Com That Struggles to Find Its Voice

‘Diabolic’ Movie Review: A Promising Baptism That Never Fully Immerses… in Dread

‘Send Help’ Movie Review: Sam Raimi Turns Survival Into a Brutally Wicked Battle of Wits

‘Good Luck, Have Fun, Don’t Die’ Movie Review: An Alarmingly Disarming Madcap Meditation on Algorithmic Overload

Michaela McManus & Stella Marcus Talk ‘Redux Redux’ – Revenge on Repeat Across Parallel Universes

Matthew & Kevin McManus Talk ‘Redux Redux’ – Grief Across the Multiverse and Revenge on Repeat

Adam MacDonald Interview: Translating the Frenetic Chaos of Courtney Summers’ This Is Not a Test to the Big Screen

INTERVIEW: Composer Geoff Zanelli on Navigating Tonal Whiplash to Score ‘Good Luck, Have Fun, Don’t Die’

Diabolic Movie Interviews: Daniel J. Phillips and Elizabeth Cullen on Faith, Trauma, and Factual-Inspired Fear

Album Review: ‘Social Disguises’ by The Enemy: Fuelled by Frustration, Fired Up by Experience

Brand-New Bangers: Noteworthy Nods’ Top Tracks of January 2026

Album Review: ‘Wasted on Youth’ by The Molotovs — An Uncompromising Debut Brimming with Bravado, Breadth, and Boundless Momentum

Album Review: Kula Shaker – Wormslayer: a feisty, fearless return to psychedelic form

Album Review: ‘Fearless Nature’ by Kid Kapichi — An Eclectic, Introspective Statement Steeped in Darkness, Punctuated by Resolve

Tom Clarke Talks Social Disguises: The Enemy’s Comeback Album Made on Their Own Terms

INTERVIEW: Composer Geoff Zanelli on Navigating Tonal Whiplash to Score ‘Good Luck, Have Fun, Don’t Die’

James Walsh Talks New Solo Album ‘It’s All Happening’ and 25th Anniversary of Starsailor’s Debut ‘Love Is Here’

Crispian Mills on Kula Shaker’s Upcoming Album ‘Wormslayer’: Navigating Creativity and Chaos in a Wired Age

GOOD HEALTH GOOD WEALTH’s Bruce Breakey Explains Philosophy Behind Narrative Debut Album ‘This Time Next Year We’ll Be Millionaires’

Brendan Fraser and Rachel Weisz Rejoin Universal’s The Mummy for 2028 Release

Sam Raimi Open to Revisiting Spider-Man Universe, Cites Tobey Maguire’s Return in ‘No Way Home’

Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology

Men In Black to Suit Up Again, Bad Boys Writer Drafted for Next Mission

In Anticipation of the ‘Silent Night, Deadly Night’ Reboot: 8 Great Horror Remakes That Live Up to Their Source Material