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The lonely, the abandoned, and the beautifully grotesque — Shelley’s immortal fable finds a worthy kindred spirit in del Toro’s most melancholic film yet....
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‘Office Romance’ Trailer: Jennifer Lopez, Brett Goldstein Star In Netflix Rom-Com in Which Workplace Boundaries (And Hearts) Are Tested
‘Resident Evil’ Trailer: Zach Cregger Reboots Franchise With Story Drawn From ‘Resident Evil’ Game Sequels
‘Corporate Retreat’ Trailer: Alan Ruck, Rosanna Arquette Lead Survival Shocker As Company Conflicts Escalate Into Carnage
Netflix Unveils First Chilling Stills of ‘The Whisper Man,’ Adapted From Alex North’s Breakout Bestseller
Netflix Sets Cast for Harlan Coben’s ‘The Woods’ as Production Begins on Limited Thriller Series
- Movie/TV Reviews
‘HOKUM’ Movie Review: A Meticulously Malignant Psychological Conundrum Served with Caustic Wit
Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology
‘She Dances’ Movie Review: A Humorous, Heartwrenching Journey Through Family Connection and Intergenerational Grief
‘Sheepdog’ Movie Review: A Stark and Compassionate Look at Life After Service and the Arduous Path To Post-Traumatic Growth
‘Mimics’ Movie Review: A Polished Ventriloquist Horror Rom-Com That Struggles to Find Its Voice
- Movie/TV/Author Interviews
Author Nat Cassidy on Crafting a Travelogue of Terror with His Debut Anthology “I Know A Place”
Aimee Pokwatka Talks New Novel ‘Accumulation’: haunted homes, childhood terrors, and everyday unease
‘I Swear’ Interview: Robert Aramayo and Kirk Jones on the Life of John Davidson and Tourette’s Advocacy
The Architecture of Anxiety: Marcus Kliewer on ‘The Caretaker,’ Rules as Rituals, and Universal’s Sydney Sweeney-Led Adaptation
INTERVIEW: ‘Hokum’ Director Damian Mc Carthy On Reviving The Haunted Hotel Horror Subgenre
- Music Reviews
Brand-New Bangers: Noteworthy Nods’ Top Tracks of April 2026
Album Review: ‘Limbo, Please Be Good To Me’ by Crocodylus: A Frenetic, Deftly Formulated Portrait of Modern Malaise
Brand-New Bangers: Noteworthy Nods’ Top Tracks of March 2026
Brand-New Bangers: Noteworthy Nods’ Top Tracks of February 2026
Album Review: ‘Social Disguises’ by The Enemy: Fuelled by Frustration, Fired Up by Experience
- Music Interviews
Sydney’s Crocodylus Talk Doubling Down on Garage-Punk Chaos with New Album ‘Limbo, Please Be Good To Me’
Riding a Maximum High: Shed Seven celebrate 30 years with Triumphant ‘Shedcember X’ Winter Tour
Rick McMurray Talks The Transition from ASH to Solo Side Project BURNED AS WITCHES
Tom Clarke Talks Social Disguises: The Enemy’s Comeback Album Made on Their Own Terms
INTERVIEW: Composer Geoff Zanelli on Navigating Tonal Whiplash to Score ‘Good Luck, Have Fun, Don’t Die’
- Features
‘Behind The Mask: The Rise Of Leslie Vernon’ Sequel Set As Scott Glosserman Confirms ‘Behind The Mask II’
Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology
‘Bloodsport’ Remake in the Works at A24 with Michaela Coel Writing and Directing
Revisiting Romero: Daniel Kraus on New Book Partially Devoured and the Enduring Terror of Night of the Living Dead
‘The Exorcist’: Sasha Calle Joins Mike Flanagan’s Reimagining of Cult Classic
- Books
Author Nat Cassidy on Crafting a Travelogue of Terror with His Debut Anthology “I Know A Place”
Aimee Pokwatka Talks New Novel ‘Accumulation’: haunted homes, childhood terrors, and everyday unease
Amy Jane Stewart Discusses ‘Hex House’ and Its Terrifying, Reality-Rooted Fairytale Foundations
The Architecture of Anxiety: Marcus Kliewer on ‘The Caretaker,’ Rules as Rituals, and Universal’s Sydney Sweeney-Led Adaptation
C.J. Dotson Talks New Horror Novel ‘These Familiar Walls,’ Childhood Fears, and Parenting Perils
- Author Interviews
Author Nat Cassidy on Crafting a Travelogue of Terror with His Debut Anthology “I Know A Place”
Aimee Pokwatka Talks New Novel ‘Accumulation’: haunted homes, childhood terrors, and everyday unease
Amy Jane Stewart Discusses ‘Hex House’ and Its Terrifying, Reality-Rooted Fairytale Foundations
The Architecture of Anxiety: Marcus Kliewer on ‘The Caretaker,’ Rules as Rituals, and Universal’s Sydney Sweeney-Led Adaptation
C.J. Dotson Talks New Horror Novel ‘These Familiar Walls,’ Childhood Fears, and Parenting Perils
- Book Reviews
‘The Autumn Springs Retirement Home Massacre’ Book Review: A Retirement Home Slasher that Finds Life and Tenacity in the Shadow of Death
Chilling Reads Ahead: CinemaChords’ Top 10 Most Anticipated Horror Novels for July 2025
Chilling Reads Ahead: CinemaChords’ Top 10 Most Anticipated Horror Novels for 2025
“EVERYTHING THE DARKNESS EATS” Book Review: A Poignantly Provocative Supernatural Shocker
“SECLUDED CABIN SLEEPS SIX” Book Review: A refreshingly inventive twist on familiar thriller trappings
Box Office
Damian McCarthy is the real deal! Following the lo-fi, skin-crawling sleeper smash Oddity, he returns with Hokum – a film that proves his previous...
Box Office
▶ Listen to this article (≈ 3 minutes) Rick Gomez‘s feature directorial debut, She Dances, is an uplifting, albeit poignant exploration of family, grief,...
Box Office
▶ Listen to this article (≈ 3 minutes) Mimics is, at a glance, a well-shot and competently assembled feature. Kristoffer Polaha‘s direction is certainly...
Author Interviews
It’s always a sight for sore, googly eyes to read the news that more Nat Cassidy is on the way. After When the Wolf...
Box Office
Passage Pictures has released a new trailer for Corporate Retreat, a savage survival shocker from director Aaron Fisher (Inside the Rain). Directed by Fisher...
Box Office
A decade after carving out his voice as one of YouTube’s most respected film commentators, Chris Stuckmann steps behind the camera for his feature...
Box Office
More than four decades since audiences were first dropped into the luminous world of Tron, and 15 years after Tron: Legacy tried to modernise...
Box Office
The Smashing Machine pulls back the curtain on a world sculpted by muscle and relentless will, exposing a far more vulnerable and achingly human...
Box Office
From its very first heartbeat — a naked young couple sprinting through the woods only to be riddled with arrows in a scene that...
Box Office
Horror’s full of old houses and loyal dogs, but it’s not often you get both in the same breath — and rarer still that...
Box Office
There’s a long tradition of British crime films wrapping up violence in bespoke tailoring and razor-edged repartee. All the Devils Are Here, directed by...
Box Office
Have you ever wanted to know more about a surprisingly tasty range of vegetarian foods from the 90s? Or what a “veggie nugget slide”...
Cinema
Colin Minihan‘s Coyotes isn’t interested in realism — and it makes that very clear from the start. Instead, it embraces the outlandish with relish,...
Cinema
Opening with a shocker that channels Wes Craven’s Scream at its sharpest, Brandon Christensen’s (The Puppetman, Superhost) Night of the Reaper wastes no time...
Box Office
It’s unsettling just how fascinating a sense of unease can be when that unease feels so uncomfortably familiar and timely. That’s exactly the feeling...
Box Office
With Karmadonna, screenwriter Aleksandar Radivojević (who co-wrote A Serbian Film) steps into the director’s chair for the first time, and the result is as...
Box Office
Religious horror casts a long shadow. From The Exorcist to Carrie to The Omen, its greatest works loom large, impossible not to echo. Paolo...
Box Office
Ari Aster’s Eddington is a neo-western satire that lands squarely in the strange liminal space between Woody Allen’s neurotic, character-driven comedy pieces and Quentin...
Box Office
Zach Cregger‘s Weapons opens on a chilling premise: all but one child from a single class vanish mysteriously at exactly 2:17 a.m., leaving a...
Box Office
After a 14-year hiatus, Final Destination: Bloodlines breathes thrilling new life into the long-running franchise, delivering what is by far its most fun, self-aware,...
Box Office
“Look in the mirror, sweetheart”, the stepsisters mother barks at her as she informs her she wants to marry the prince. But this is...
Box Office
Stop me if you’ve heard this before—zombie virus outbreak, a cabin in the woods, kids in peril. But Mexican filmmaker Isaac Ezban (Evil Eye)...