▶ Listen to this article (≈ 3 minutes) Rick Gomez‘s feature directorial debut, She Dances, is an uplifting, albeit poignant exploration of family, grief,...
▶ Listen to this article (≈ 3 minutes) Mimics is, at a glance, a well-shot and competently assembled feature. Kristoffer Polaha‘s direction is certainly...
Kenji Tanigaki’s (Legend of Seven Monks, Enter the Fat Dragon), latest martial arts feature, The Furious, debuts in US theaters today following its acquisition...
The Horror Section has debuted a soft-serve nightmare of a trailer for Eli Roth‘s (Cabin Fever, Hostel, Thanksgiving) Ice Cream Man, promising a summer...
The lonely, the abandoned, and the beautifully grotesque — Shelley’s immortal fable finds a worthy kindred spirit in del Toro’s most melancholic film yet....
There’s a long tradition of British crime films wrapping up violence in bespoke tailoring and razor-edged repartee. All the Devils Are Here, directed by...
Opening with a shocker that channels Wes Craven’s Scream at its sharpest, Brandon Christensen’s (The Puppetman, Superhost) Night of the Reaper wastes no time...
It’s unsettling just how fascinating a sense of unease can be when that unease feels so uncomfortably familiar and timely. That’s exactly the feeling...
With Karmadonna, screenwriter Aleksandar Radivojević (who co-wrote A Serbian Film) steps into the director’s chair for the first time, and the result is as...
Ari Aster’s Eddington is a neo-western satire that lands squarely in the strange liminal space between Woody Allen’s neurotic, character-driven comedy pieces and Quentin...
After a 14-year hiatus, Final Destination: Bloodlines breathes thrilling new life into the long-running franchise, delivering what is by far its most fun, self-aware,...