Cinema Chords

‘IF YOU SEE SOMETHING’ Review: A Nuanced Meditation on Identity, Moral Responsibility, and the Struggle to Navigate a World That Is at Once Welcoming and Alienating

‘Scream 7’ Trailer: Kevin Williamson Returns to Direct as Ghostface Targets Sidney’s Daughter

“Stranger Things” Season 5 Trailer: The Stakes Have Been Turned Completely Upside Down in the Final Showdown

Oasis’ Noel Gallagher Joins Forces with Gibson for Limited-Edition Les Paul™ Standard to Celebrate Live ’25 Tour

Alexandra Shipp and Nick Stahl on Revenge Thriller ‘Violent Ends’: Love, Loyalty and the Cost of Violence

‘IF YOU SEE SOMETHING’ Review: A Nuanced Meditation on Identity, Moral Responsibility, and the Struggle to Navigate a World That Is at Once Welcoming and Alienating

‘FRANKENSTEIN’ Review: Guillermo del Toro’s Reverent Gothic Adaptation Delivers a Powerful Lament on Hubris-Fuelled Ambition

Film Review: ‘Shelby Oaks’ – Chris Stuckmann’s Ambitious, Unnerving Found-Footage Hybrid Marks a Confident Directorial Debut

‘Tron: Ares Review’ – A Neon-Charged Colossus, Yet Failing to Connect with the Code That Made the Grid Glow

‘The Smashing Machine’ Movie Review: A Monumental, Uncompromising Portrait of the Price Paid for Glory

Alexandra Shipp and Nick Stahl on Revenge Thriller ‘Violent Ends’: Love, Loyalty and the Cost of Violence

Oday Rasheed and Jess Jacobs Interview: Connection in a World of Welcome and Exclusion in ‘If You See Something’

Adam Bakri on ‘If You See Something’: Exploring the Ultimate Struggle Between Rejection and Acceptance

Anchoring the Terror: Camille Sullivan on Bringing Chris Stuckmann’s Shelby Oaks to Authentic, Anxiety-Inducing Life

“Fandom today borders on the religious — and that’s both beautiful and terrifying”: Joey Batey on debut novel ‘It’s Not a Cult’, creativity, and the cost of being seen

Brand-New Bangers: Noteworthy Nods 2025 – Batch #25

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

Brand-New Bangers: Noteworthy Nods 2025 – Batch #24

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Album Review: The Clause – ‘Victim of a Casual Thing’: A Bold, Eclectic Debut With an Unshakable Sense of Purpose

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Interview: Duncan Lloyd Unwinds New Album ‘Unwound’ – A Cathartic Rebellion Against Snack Culture

From Wigan to the World: The Lilacs’ Ollie Anglesea Talks New EP ‘The 395 (To Forever)’

INTERVIEW: The ‘KOKO’ Mojo, According to Lottery Winners’ Thom Rylance Prior to Fourth Album Release

Reimagining the ’80s: 10 Movies That Could Shine with a 2020s Twist

Unhinged, Unpolished, Unforgettable: 10 Wild ’70s and ’80s Cult Horror B-Movies Time Refuses to Tame

Rick Moranis and Mel Brooks Reunite as Long-Awaited Spaceballs Sequel Begins Filming

Escape Reality: The Most Thrilling Horror Movies That Will Help You Forget the World’s Woes!

Talk to the Dummy: Lionsgate to Reboot Anthony Hopkins’ Creepy Ventriloquist Classic ‘MAGIC’