Beyond Victor’s Lab: 12 Novels That Resurrect Shelleyan Monsters and Their Terrifying Toll in Celebration of Guillermo del Toro’s FRANKENSTEIN

Brand-New Bangers: Noteworthy Nods 2025 – Batch #25

Back in the Booth: Coventry’s The Enemy to Drop First Studio Album in Ten Years — Social Disguises

Children’s Booker Prize Launched to Spark New Generation of Readers as Reading for Pleasure Hits Record Low

Viral Horror Short ‘The Bells’ to Become Feature Film with ‘The Ring’ Producer

‘FRANKENSTEIN’ Review: Guillermo del Toro’s Reverent Gothic Adaptation Delivers a Powerful Lament on Hubris-Fuelled Ambition

Film Review: ‘Shelby Oaks’ – Chris Stuckmann’s Ambitious, Unnerving Found-Footage Hybrid Marks a Confident Directorial Debut

‘Tron: Ares Review’ – A Neon-Charged Colossus, Yet Failing to Connect with the Code That Made the Grid Glow

‘The Smashing Machine’ Movie Review: A Monumental, Uncompromising Portrait of the Price Paid for Glory

‘Bone Lake’ Review: A Savage Tangle of Seduction, Betrayal, and the Brutality of Modern Romance

Anchoring the Terror: Camille Sullivan on Bringing Chris Stuckmann’s Shelby Oaks to Authentic, Anxiety-Inducing Life

“Fandom today borders on the religious — and that’s both beautiful and terrifying”: Joey Batey on debut novel ‘It’s Not a Cult’, creativity, and the cost of being seen

‘Cathedral of the Drowned’ Interview: Nathan Ballingrud on Moon-Spun Nightmares, Centipede Bishops and Lunar Gothic Dread

Author Interview: The Essential Horror of Joe R. Lansdale – Genre-Bending Stories and Timeless Fears

Neil McRobert Interview: Meet the Author Turning Northern Folklore into Haunting, Heartfelt Horror with ‘GOOD BOY’

Brand-New Bangers: Noteworthy Nods 2025 – Batch #25

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

Brand-New Bangers: Noteworthy Nods 2025 – Batch #24

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Album Review: The Clause – ‘Victim of a Casual Thing’: A Bold, Eclectic Debut With an Unshakable Sense of Purpose

Pearce Macca on The Clause’s Explosive Debut, Victim of a Casual Thing: An Honest Portrait of Youth and Struggle

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Interview: Duncan Lloyd Unwinds New Album ‘Unwound’ – A Cathartic Rebellion Against Snack Culture

From Wigan to the World: The Lilacs’ Ollie Anglesea Talks New EP ‘The 395 (To Forever)’

INTERVIEW: The ‘KOKO’ Mojo, According to Lottery Winners’ Thom Rylance Prior to Fourth Album Release

Unhinged, Unpolished, Unforgettable: 10 Wild ’70s and ’80s Cult Horror B-Movies Time Refuses to Tame

Rick Moranis and Mel Brooks Reunite as Long-Awaited Spaceballs Sequel Begins Filming

Escape Reality: The Most Thrilling Horror Movies That Will Help You Forget the World’s Woes!

Reimagining the ’80s: 10 Movies That Could Shine with a 2020s Twist

Talk to the Dummy: Lionsgate to Reboot Anthony Hopkins’ Creepy Ventriloquist Classic ‘MAGIC’