▶ Listen to this article (≈ 3 minutes) Mimics is, at a glance, a well-shot and competently assembled feature. Kristoffer Polaha‘s direction is certainly...
▶ Listen to this article Australian filmmaker Daniel J. Philips’ Diabolic arrived with a degree of festival momentum, playing to receptive audiences at last...
▶ Listen to this article Send Help marks a welcome return to pitch-black, R-rated storytelling from Sam Raimi. Stripped of superhero capes and chainsaw-laden...
Vertical has unveiled the first US trailer for Hamlet, a striking contemporary adaptation of William Shakespeare’s iconic tragedy. The film places Riz Ahmed at the centre...
There’s a long tradition of British crime films wrapping up violence in bespoke tailoring and razor-edged repartee. All the Devils Are Here, directed by...
Opening with a shocker that channels Wes Craven’s Scream at its sharpest, Brandon Christensen’s (The Puppetman, Superhost) Night of the Reaper wastes no time...
It’s unsettling just how fascinating a sense of unease can be when that unease feels so uncomfortably familiar and timely. That’s exactly the feeling...
With Karmadonna, screenwriter Aleksandar Radivojević (who co-wrote A Serbian Film) steps into the director’s chair for the first time, and the result is as...
Ari Aster’s Eddington is a neo-western satire that lands squarely in the strange liminal space between Woody Allen’s neurotic, character-driven comedy pieces and Quentin...
After a 14-year hiatus, Final Destination: Bloodlines breathes thrilling new life into the long-running franchise, delivering what is by far its most fun, self-aware,...
In the landscape of romantic comedies, A Nice Indian Boy offers a fresh and heartfelt perspective, blending cultural nuances with universal themes of love,...