Ash Bringing ‘1977’ Back to the Future with Deluxe 30th Anniversary Editions and Global Tour Dates

STUDIOCANAL Debuts ‘Evil Dead Burn’ Trailer, Teasing “Most Savage and Terrifying Ride to Date”

‘Office Romance’ Trailer: Jennifer Lopez, Brett Goldstein Star In Netflix Rom-Com in Which Workplace Boundaries (And Hearts) Are Tested

‘Resident Evil’ Trailer: Zach Cregger Reboots Franchise With Story Drawn From ‘Resident Evil’ Game Sequels

‘Corporate Retreat’ Trailer: Alan Ruck, Rosanna Arquette Lead Survival Shocker As Company Conflicts Escalate Into Carnage

‘HOKUM’ Movie Review: A Meticulously Malignant Psychological Conundrum Served with Caustic Wit

Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology

‘She Dances’ Movie Review: A Humorous, Heartwrenching Journey Through Family Connection and Intergenerational Grief

‘Sheepdog’ Movie Review: A Stark and Compassionate Look at Life After Service and the Arduous Path To Post-Traumatic Growth

‘Mimics’ Movie Review: A Polished Ventriloquist Horror Rom-Com That Struggles to Find Its Voice

Sara van Os Talks ‘Decomposition Book,’ Necrotic Narratives, and the Capacity of Stories for Human Connection

Tuning Into Terror: Author TJ Payne on Re-wiring Haunted House Tropes into a Clinical Nightmare

Author Nat Cassidy on Crafting a Travelogue of Terror with His Debut Anthology “I Know A Place”

Aimee Pokwatka Talks New Novel ‘Accumulation’: haunted homes, childhood terrors, and everyday unease

‘I Swear’ Interview: Robert Aramayo and Kirk Jones on the Life of John Davidson and Tourette’s Advocacy

Brand-New Bangers: Noteworthy Nods’ Top Tracks of April 2026

Album Review: ‘Limbo, Please Be Good To Me’ by Crocodylus: A Frenetic, Deftly Formulated Portrait of Modern Malaise

Brand-New Bangers: Noteworthy Nods’ Top Tracks of March 2026

Brand-New Bangers: Noteworthy Nods’ Top Tracks of February 2026

Album Review: ‘Social Disguises’ by The Enemy: Fuelled by Frustration, Fired Up by Experience

Sydney’s Crocodylus Talk Doubling Down on Garage-Punk Chaos with New Album ‘Limbo, Please Be Good To Me’

Riding a Maximum High: Shed Seven celebrate 30 years with Triumphant ‘Shedcember X’ Winter Tour

Rick McMurray Talks The Transition from ASH to Solo Side Project BURNED AS WITCHES

Tom Clarke Talks Social Disguises: The Enemy’s Comeback Album Made on Their Own Terms

INTERVIEW: Composer Geoff Zanelli on Navigating Tonal Whiplash to Score ‘Good Luck, Have Fun, Don’t Die’

‘Behind The Mask: The Rise Of Leslie Vernon’ Sequel Set As Scott Glosserman Confirms ‘Behind The Mask II’

Future Perfect: 10 Sci‑Fi Films That Find Hope Amid the Rise of AI and Technology

‘Bloodsport’ Remake in the Works at A24 with Michaela Coel Writing and Directing

Revisiting Romero: Daniel Kraus on New Book Partially Devoured and the Enduring Terror of Night of the Living Dead

‘The Exorcist’: Sasha Calle Joins Mike Flanagan’s Reimagining of Cult Classic