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Brand-New Bangers: Noteworthy Nods 2025 – Batch #24

‘FRANKENSTEIN’ Review: Guillermo del Toro’s Reverent Gothic Adaptation Delivers a Powerful Lament on Hubris-Fuelled Ambition

Osgood Perkins Extends His Horror Streak With Eerie New Trailer for Cabin Shocker ‘KEEPER’

Film Review: ‘Shelby Oaks’ – Chris Stuckmann’s Ambitious, Unnerving Found-Footage Hybrid Marks a Confident Directorial Debut

Curzon Releases Trailer for ‘Alpha,’ a Bold and Intimate Virus Allegory from Julia Ducournau

‘FRANKENSTEIN’ Review: Guillermo del Toro’s Reverent Gothic Adaptation Delivers a Powerful Lament on Hubris-Fuelled Ambition

Film Review: ‘Shelby Oaks’ – Chris Stuckmann’s Ambitious, Unnerving Found-Footage Hybrid Marks a Confident Directorial Debut

‘Tron: Ares Review’ – A Neon-Charged Colossus, Yet Failing to Connect with the Code That Made the Grid Glow

‘The Smashing Machine’ Movie Review: A Monumental, Uncompromising Portrait of the Price Paid for Glory

‘Bone Lake’ Review: A Savage Tangle of Seduction, Betrayal, and the Brutality of Modern Romance

‘Cathedral of the Drowned’ Interview: Nathan Ballingrud on Moon-Spun Nightmares, Centipede Bishops and Lunar Gothic Dread

Author Interview: The Essential Horror of Joe R. Lansdale – Genre-Bending Stories and Timeless Fears

Neil McRobert Interview: Meet the Author Turning Northern Folklore into Haunting, Heartfelt Horror with ‘GOOD BOY’

Brian Asman Interview: ‘Man, F*ck This House’ Returns with 6 New Nightmares That Hit Uncomfortably Close to Home

No Land, No Mercy: Kiah Roache-Turner Talks Shark-Infested WWII Shocker BEAST OF WAR

Brand-New Bangers: Noteworthy Nods 2025 – Batch #24

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Album Review: The Clause – ‘Victim of a Casual Thing’: A Bold, Eclectic Debut With an Unshakable Sense of Purpose

Album Review: The Lemonheads’ ‘Love Chant’: A Perfectly Imperfect Rebellion Against Modern Music’s Sterile Uniformity

Album Review: Pop Will Eat Itself’s ‘Delete Everything’ – A Sneering, Synth-Punk Slap in the Face of 2025

The Subways: 20 Years from ‘Young for Eternity’ to ‘When I’m With You’ – Billy Lunn Interview

Interview: Duncan Lloyd Unwinds New Album ‘Unwound’ – A Cathartic Rebellion Against Snack Culture

From Wigan to the World: The Lilacs’ Ollie Anglesea Talks New EP ‘The 395 (To Forever)’

INTERVIEW: The ‘KOKO’ Mojo, According to Lottery Winners’ Thom Rylance Prior to Fourth Album Release

The Slow Readers Club Discuss New Album ‘Out Of A Dream’ in Exclusive Interview with Aaron Starkie

Unhinged, Unpolished, Unforgettable: 10 Wild ’70s and ’80s Cult Horror B-Movies Time Refuses to Tame

Rick Moranis and Mel Brooks Reunite as Long-Awaited Spaceballs Sequel Begins Filming

Escape Reality: The Most Thrilling Horror Movies That Will Help You Forget the World’s Woes!

Reimagining the ’80s: 10 Movies That Could Shine with a 2020s Twist

Talk to the Dummy: Lionsgate to Reboot Anthony Hopkins’ Creepy Ventriloquist Classic ‘MAGIC’